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The promenades and shorelines of Cromer and Overstrand are the figurative context/subtext for this work. The spiritual aloneness I experience in these locations, particularly in the winter, is profound. I reflect on the human desire for order and control at the same time as being in awe of the visceral power of timeless natural forces. The outlook is reassuringly bleak and inevitable, and I find peace.

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geometric landscapes

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